![]() ![]() ![]() The banjolin is different from the banjo-mandolin in the number of strings that it has. The instrument adds the banjo's volume to the mandolin.ĭistinctions Banjolin versus banjo-mandolin A banjolin with single strings like a violin and a mandolin fretboard. It enabled mandolinists to produce a banjo sound without having to learn that instrument's fingerings. The mandolin-banjo is one of the hybrids that resulted. In the heyday of mandolin orchestras and banjo bands (late 19th–early 20th century), all sorts of instruments were produced. The instrument was popularized prior to the 1920s, when the tenor banjo became more popular. The name banjolin was first patented by John Farris in 1885. The first patent for a mandolin-banjo was taken out in 1882 by Benjamin Bradbury of Brooklyn. Inventors were experimenting to create amplified instruments in the days before electric amplification. Larger heads were favored, however, as they were louder, and thus more audible in band settings. Originally heads were made of skin and varied in diameter to as small as five inches. The movable bridge stands on a resonant banjo-like head typically 10 inches in diameter and currently usually made of plastic. The instrument has the same scale length as a mandolin (about 14 inches) with 4 courses of strings tuned identically to the violin and mandolin (low to high: GDAE). It has been independently invented in more than one country, variously being called mandolin-banjo, banjo-mandolin, banjolin and banjourine in English-speaking countries, banjoline and bandoline in France, and the Cümbüş in Turkey. The mandolin-banjo is a hybrid instrument, combining a banjo body with the neck and tuning of a mandolin. L-R - Banjo-mandolin, standard mandolin, 3-course mandolin, Tenor mandola. Two styles of mandolin-banjo, showing a large and small head, with a full size, four-string banjo (bottom). The double strings accommodate a sustaining technique called tremolando, a rapid alternation of the plectrum on a single course of strings.Not to be confused with Banjoline or Bandolin. The mandola is typically played with a plectrum. The scale length is typically around 42 cm. ![]() The mandola has four double courses of metal strings, tuned in unison rather than in octaves. However, significantly different instruments have at times and places taken on the same or similar names, and the "true" mandola has been strung in several different ways. Historically related instruments include the mandore, mandole, pandurina, bandurina, and-in 16th century Germany-the quinterne or chiterna. The instrument developed from the lute at an early date, being more compact and cheaper to build, but the sequence of development and nomenclature in different regions is now hard to discover. The name mandola may originate with the ancient pandura, and was also rendered as mandora, the change perhaps having been due to approximation to the Italian word for "almond". However, the mandola, although now rarer, is the ancestor of the mandolin, the name of which means simply "little mandola". It is to the mandolin what the viola is to the violin: the four double courses of strings tuned in fifths to the same pitches as the viola, a fifth lower than a mandolin. The mandola or tenor mandola is a fretted, stringed musical instrument. Freebase Rate this definition: 0.0 / 0 votes ![]()
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